essay on islamic art

Essay On Islamic Art

Nature of Islamic Art Islamic art does not only describe the art created in the service of Muslim faith (for example, a mosque and its furnishings) but also include the art produced in the lands ruled by Muslims, produced for Muslim patrons, or created by Muslim artists. “As it is not only a religion but a way of life, Islam fostered the development of a distinctive culture with its own unique artistic language that is reflected in art and architecture throughout the Muslim world”1. The Islamic art was influenced greatly by the preexisting artistic traditions of the conquer lands ruled by Muslims, beside those artists who worked under Byzantine or Sasanian patronage continued to work in their own styles but for Muslim patrons, influencing the Islamic art to rely on earlier …show more content…

“With its geographic spread and long history, Islamic art was inevitably subject to a wide range of regional and even national styles and influences as well as changes within the various periods of its development. It is all the more remarkable then that, even under these circumstances, Islamic art has always retained its intrinsic quality and unique identity. Just as the religion of Islam embodies a way of life and serves as a cohesive force among ethnically and culturally diverse peoples, the art produced by and for Muslim societies has basic identifying and unifying characteristics.”2 Islamic art is usually classified in literature and museums according to the dynasty reigning when the work of art was produced, beginning with the Umayyad and Abbasid dynasties that governed a vast and unified Islamic state, and concluding with the more regional, though powerful, dynasties such as the safavids, Ottomans and Mughals. Islamic art is also identified by searching for the four basic components of Islamic ornament. Calligraphy is the most highly regarded and most fundamental element of Islamic art. It is significant that the Qur’an, the book of God’s revelations to the

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The Los Angeles County Museum of Art, or LACMA as it is commonly known, is among the world’s largest art collections in North America, and to be specific enough the most prevalent artwork in the western United States (Compton 165). This massive art museum has a collection of over 100,000 artworks, which extends from the ancient times to present days (Gilbert and Mills 174). These collections, which are mainly from Asia, Africa, Europe, Latin-America and America itself, are grouped into several departments within the museums buildings, depending on the region, culture, media, and time period. This paper analyzes the different genres of art and explains the main features that make the Islamic artworks

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The prominent effect Islam had on Muslims everyday thoughts and actions, portrays how essential the impact of God was in social and governmental relations. Muslim religion was influenced by both the Christians and Jews. Under the guidance of Muhammad the Prophet, Islam became both a meaningful faith and way of life. Unlike just simply “adding” a church like the Christian religion, Islam society was expected to be governed. Their political and religious views and decisions had to be intertwined as one, proving the effect Islam had on everyday lives. For example, the history book The Making of The West, had written, “Arabs had long been used to

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In the contemplation of art, or rather the conceptually intangible definition it currently possess, it is imperative to be mindful that “art” has been utilized as a promotional device, ceremonial item, aesthetically purposed article or perhaps none of these or all. It is because of this vague term that Carolyn Dean, in her text, “The Trouble with (The Term) Art”, makes a case for the consequences of applying the term “art” in societies that lacked such a notion which also accounts for the Western-centric lens the field intrinsically utilizes when viewing non-Western art. The claim is deftly supported by the utilization of expert accounts in the subject, alternative perspectives for what is considered the current norm, and self-examining questions,

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There exist three basic components of traditional Islamic art: calligraphy, geometric patterns, and floral and vegetal motifs. These three stylistic tools are beautifully rendered and masterfully integrated into complex works of art, but there is no question that artistic expression is severely limited under these categorizations. However, this limitation stems from Islamic theology and concept of art. The main reason for the limitation imposed on visual art is the Islamic theological prohibition of figural imagery. Social laws presented in the Hadith prevented the representation of figures because any imitation was deemed idolatrous. Also, art is considered to be decorative and imitative. Script and patterns are used to decorate

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The region of the Middle East and its inhabitants have always been a wonder to the Europeans, dating back to the years before the advent of Islam and the years following the Arab conquest. Today, the Islamic world spreads from the corners of the Philippines to the far edges of Spain and Central Africa. Various cultures have adopted the Islamic faith, and this blending of many different cultures has strengthened the universal Islamic culture. The religion of Islam has provided a new meaning to the lives of many people around the world. In the Islamic world, the religion defines and enriches culture and as a result the culture gives meaning to the individual. Islam is not only a religion, it is in its own way a culture. It may be this very

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As well, there is a revival of the classical Islamic art in the 50's, especially with the abstract movement in Europe, from where patterns become a source of inspiration for contemporary work. This trend keeps increasing, as professors at our university agreed, there is a revival in traditional Islamic art as well as an increase awareness of history by the public, plus the increased economic affluence of the country.

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Islam is more than a religion, it’s a culture, and as such has an effect on political, social, and economic aspects of life—this is especially true outside of the Western world. Followers of Islam believe in full submission to God and this submission is practiced in the secular realm (Taha, 114). Of the five pillars of Islam, one (the zakat) has a direct affect on economic policy and ethics. The culture of Islam has shaped economic and business guidelines In the Islamic World and continues to do so. Cultural ideals attributed to the Qur’an or the Prophet Muhammad, have been a vital source for economic and business practices that have helped to shape the history of many Islamic nations, and are guiding the creation of policies

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Every religion in this world has their own culture and thereby their own creative forms, like art, dance, architecture, music and craft. Like the tradition varies from each religion to religion so as their Art. I chose to compare Art forms of Islamic Art and Hinduism Art, as Art have always exited me and inspired me in many ideas, and secondly arts have its own history and reasoning.

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Rathnasambhava, the Transcendent Buddha of the South and Madonna Enthroned are very similar images that were produced by very different cultures. Both images were produced during the 13th Century. The image of Rathnasambhava, the Transcendent Buddha of the South was produced in Tibet during an interesting period of the country’s religious history. The branch of Tibetan Buddhism is led by a religious and sometimes political leader called the Dalai Lama. It was during the 13th Century during the reign of Kublai Khan, around the time of the production of this painting, that Tibet experienced the first incarnation of the Dalai Lama. One has to wonder if this painting is somehow related to that occurrence. According to

Islamic Culture Essay

Muslim culture generally reflects the traditions and customs of Muslims that they adopt for a perfect and respectable life in the society according to the lessons of Quran. Muslim culture is a giant combination of diverse cultures, That’s because Muslims live in various countries all over the world. Most of the practices are common faiths and guidance for all Muslims no matter what country or even content they reside in.. These basic faiths and belives are based on the teachings of Islam. The Muslim culture is a subject of debate for many people who lives in different parts of the world and belong to diverse communities. Muslim culture represents the unification of brotherhood where all Muslims are bound to

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Islam is not a new religion but the final culmination and fulfillment of the same basic truth that God revealed through all His prophets to every people. For a fifth of the world's population, Islam is not just a personal religion but a complete way of living. Over a billion people from all races, nationalities and cultures across the globe are Muslim--from the rice farms of Indonesia to the deserts in the heart of Africa; from the skyscrapers of New York to the Bedouin tents in Arabia.

The Religion of Islam Essay

As "primal," Islam is the authentic religion of Adam, of Abraham, and of human nature. Islam is not younger than Judaism and Christianity; it preceded both. Not only is it the religion of the "Spoken Book" (the Qur'an), it is as well the religion of the "Created Book" (the fabric of the universe itself). According to the Muslim faith, every person is born a Muslim, and distortions of one's environment lead a person astray to become a Christian, a Jew, or an unbeliever. To be human means to be Muslim.

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concept of the awesome power of god. There are rules that forbid self destruction as it would go against what God has created. Islam proclaims there is only

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The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.

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Islamic Art Essay

Art is the mirror of any culture and its worldly views. The art of Muslim world mirrors its social values and uncovers the way Muslims see the spiritual domain and the universe. Muslims all over the world embrace the identical system of belief and each one of them is well familiar with the spiritual connection regardless of nationwide, racial differences or conflicts. They consider themselves to be Muslim as a matter of paramount importance. This strong sense of identity and stability inclined en route for a high level of societal and richest artistic traditionalism. Islamic art has persistently validated its dimensions for the innovative reinterpretation of the existed forms of art and one of the innovations is Islamic Wall Art. Islamic …show more content…

Geometric and vegetative motifs are widespread all the way through the lands where Islam was once or still is a dominant religion with its cultural force. Islamic art is seen appearing in the private palaces and buildings such as the Alhambra in Spain in addition to the detailed metal work of Safavid Iran. Similarly, certain building architecture appears throughout the Muslim world: masjids with their minarets, mausoleums, gardens and religious schools (madrasas) all shares mutuality, though, their forms fluctuate …show more content…

In the early medieval period, from the eleventh through the mid-thirteenth century, and the late medieval period, the mid-thirteenth through the fifteenth century, different regional forces developed, which promoted diversity in cultural expression. At last, the late Islamic period, the sixteenth through the eighteenth century, was a time of incredible realms, in which intense dynastic support, like never before, advanced to promote and shape artistic styles. It has been observed that in 2oth and 21st century Islam and Islamic art is spreading on a faster pace in European countries and states of

Islamic Empire Dbq Essay

KAILI HONG PER.3 THE ISLAMIC EXPANSION The early Islamic empire expanded in a couple of ways. One of the ways was the war. I found this evidence in document A where it says that the Muslims to fight gathered together to fight the Greeks. The Greeks would tie each others foots to each other so none of them would escape during the war.

Dbq Michelli Islamic Culture Essay

Mali was an Islamic kingdom during the Middle Ages in West Africa. This was caused by Principle of Culture 9 (“Culture is changed by inside and outside forces.”) This was because outside forces or traders would come to trade and tell them about Islamic ways. An inside force that changed them was a king named Mansa Musa who was the first king to push Islam and its culture in Mali. Mali was Islamic because the people of Mali valued the religion and Mali was influenced by Islamic architecture and arts.

The Islamic Empire was huge, large, and untied. The early Islamic empire expanded by fiercely attacking and conquering other lands, as well as uniting them. To start off, In Document A (which is reliable because it happens to be written by Muslim historian Ahmad al-Biladuri in the 800s) it talks about how they killed 70,000 people. Even girls helped in creating a bloodbath which shows how fierce and strong they were on a battlefield and how they easily took more lands.

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Between the years 1000 and 1450, trade networks, were rapidly being established throughout Africa, Asia, and Europe and becoming increasingly successful. The main idea of adjusting to culture by the Europeans differed heavily from the Muslims idea of spreading and influencing culture, which resulted in the Europeans suffering some cultural consequences. The documents imply that the Muslims culture was able to spread further while having a greater impression on travelers than the Europeans culture, which was focused on the exploration of other cultures and religious conversion. The Muslim culture was able to spread its culture, while trying to succeed in new surroundings, which allowed it to be spread further than the Europeans culture was

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During the Age of Exploration Europeans hoped to subside the power of Islam and diminish its threat to the security of Europe by expanding and controlling global markets by reducing their market trade, although it was believed the Muslim world had entered a period of decline and turmoil with the collapse of the Abbasid Caliphate during the Era of the Mongols, on the contrary in the shadows of the Age of Exploration between the late Fifteenth and early Sixteenth century in the Middle East and South Asian subcontinent the rise of three great Muslim Empires, the Ottomans, the Safavids and the Mughals was occurring, the Ottoman empire being one of the strongest. (William J. Duiker and Jackson J. Spielvogel, World History, vol. 1,446). These

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For instance, abstract Islamic art suddenly began to depict human figures in the 12th century. Islamic art exploded with new techniques and figures due to Muslim artists being exposed to

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The Trouble With (The Term) Art By Carolyn Dean

While reading “The Trouble with (the Term) Art,” written by Carolyn Dean in the summer of 2006, we are taken through an array of different scenarios that lead us to questions what art really is. Dean explores the idea that the word “art” is used far too often and too habitually, and that as we study the non-Western cultures we need to use much more discretion regarding what we call the different pieces of their culture. Throughout the essay, Dean supports her thesis that we too often categorize non-Western pieces as art by using different examples of how certain non-art pieces were deemed as art throughout the course of their history. Dean does this by using four key examples of how these ancient pieces are inappropriately called art to successfully support her thesis and avoid biases.

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They were the ones who caused Muslim architectural design to be spread throughout the Byzantine Empire. Mosques and Madrasahs are the building that people will often see while driving around cities in Indonesia (The Editors of Encyclopedia Britannica). These building display Islam’s architectural building style, there are patterns on the building that makes it so aesthetic. Yet, the impact of Islam is not limited to the art, it is also felt

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Heilbrunn Timeline of Art History Essays

Calligraphy in islamic art.

Bowl Emulating Chinese Stoneware

Folio from the "Blue Qur'an"

Tiraz Textile Fragment

Bowl with Arabic Inscription

Bifolium from the "Nurse's Qur'an" (Mushaf al-Hadina)

Folio from a Qur'an Manuscript

Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar

Architectural Tile with Partial Inscription

Panel of Four Calligraphic Tiles

Section of a Qur'an Manuscript

Copied by `Umar Aqta'

Helmet with Aventail

Dedicatory Inscription from a Mosque

Ceramic Vessel in the Shape of a Mosque Lamp

Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66)

Calligraphic Roundel, inscribed "Ya 'Aziz" (Oh Mighty)

"Calligraphic Composition in Shape of Peacock," Folio from the Bellini Album

Department of Islamic Art , The Metropolitan Museum of Art

October 2001

Calligraphy is the most highly regarded and most fundamental element of Islamic art . It is significant that the Qur’an , the book of God’s revelations to the Prophet Muhammad , was transmitted in Arabic, and that inherent within the Arabic script is the potential for developing a variety of ornamental forms. The employment of calligraphy as ornament had a definite aesthetic appeal but often also included an underlying talismanic component. While most works of art had legible inscriptions, not all Muslims would have been able to read them. One should always keep in mind, however, that calligraphy is principally a means to transmit a text, albeit in a decorative form.

Objects from different periods and regions vary in the use of calligraphy in their overall design, demonstrating the creative possibilities of calligraphy as ornament. In some cases, calligraphy is the dominant element in the decoration. In these examples, the artist exploits the inherent possibilities of the Arabic script to create writing as ornament. An entire word can give the impression of random brushstrokes, or a single letter can develop into a decorative knot. In other cases, highly esteemed calligraphic works on paper are themselves ornamented and enhanced by their decorative frames or backgrounds. Calligraphy can also become part of an overall ornamental program, clearly separated from the rest of the decoration. In some examples, calligraphy can be combined with vegetal scrolls on the same surface, though often on different levels, creating an interplay of decorative elements.

Department of Islamic Art. “Calligraphy in Islamic Art.” In Heilbrunn Timeline of Art History . New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/cali/hd_cali.htm (October 2001)

Further Reading

Blair, Sheila S. Islamic Calligraphy . Edinburgh: Edinburgh University Press, 2006.

Grabar, Oleg. The Mediation of Ornament . Princeton: Princeton University Press, 1992.

Additional Essays by Department of Islamic Art

• Department of Islamic Art. “ The Art of the Almoravid and Almohad Periods (ca. 1062–1269) .” (October 2001)
• Department of Islamic Art. “ Turkmen Jewelry .” (August 2011)
• Department of Islamic Art. “ The Art of the Umayyad Period in Spain (711–1031) .” (October 2001)
• Department of Islamic Art. “ The Nature of Islamic Art .” (October 2001)
• Department of Islamic Art. “ Vegetal Patterns in Islamic Art .” (October 2001)
• Department of Islamic Art. “ Figural Representation in Islamic Art .” (October 2001)
• Department of Islamic Art. “ Geometric Patterns in Islamic Art .” (October 2001)
• Department of Islamic Art. “ The Art of the Mughals before 1600 .” (October 2002)
• Department of Islamic Art. “ The Art of the Nasrid Period (1232–1492) .” (October 2002)

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List of Rulers

• List of Rulers of the Islamic World
• Anatolia and the Caucasus, 1400–1600 A.D.
• Anatolia and the Caucasus, 1600–1800 A.D.
• Arabian Peninsula, 500–1000 A.D.
• Balkan Peninsula, 1400–1600 A.D.
• Central and North Asia, 1000–1400 A.D.
• Central and North Asia, 1400–1600 A.D.
• Central and North Asia, 500–1000 A.D.
• Egypt, 1000–1400 A.D.
• Iberian Peninsula, 1000–1400 A.D.
• Iran, 1000–1400 A.D.
• Iraq (Mesopotamia), 500–1000 A.D.
• South Asia, 1400–1600 A.D.
• South Asia, 1600–1800 A.D.
• Western North Africa (The Maghrib), 1000–1400 A.D.
• Western North Africa (The Maghrib), 1400–1600 A.D.
• Western North Africa (The Maghrib), 500–1000 A.D.
• 10th Century A.D.
• 11th Century A.D.
• 12th Century A.D.
• 13th Century A.D.
• 14th Century A.D.
• 15th Century A.D.
• 16th Century A.D.
• 17th Century A.D.
• 18th Century A.D.
• 19th Century A.D.
• 20th Century A.D.
• 21st Century A.D.
• 7th Century A.D.
• 8th Century A.D.
• 9th Century A.D.
• Calligraphy
• Floral Motif
• Islamic Art
• Islamic Art in the Early Period
• Islamic Art in the Later Period
• Islamic Art in the Medieval Period
• Literature / Poetry
• Persian Literature / Poetry
• Personal Ornament
• Plant Motif
• Qur’an / Koran

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Arts of the Islamic world

Taj Mahal, Agra, India (photo: David Castor )

What is Islamic Art?

The Dome of the Rock , the Taj Mahal , a Mina’i ware bowl, a silk carpet , a Qur‘an ; all of these are examples of Islamic art. But what is Islamic art?

Islamic art is a modern concept, created by art historians in the nineteenth century to categorize and study the material first produced under the Islamic peoples that emerged from Arabia in the seventh century.

Today Islamic art describes all of the arts that were produced in the lands where Islam was the dominant religion or the religion of those who ruled. Unlike the terms Christian, Jewish, and Buddhist art, which refer only to religious art of these faiths, Islamic art is not used merely to describe religious art or architecture, but applies to all art forms produced in the Islamic World.

Thus, Islamic art refers not only to works created by Muslim artists, artisans, and architects or for Muslim patrons. It encompasses the works created by Muslim artists for a patron of any faith, including Christians, Jews, or Hindus, and the works created by Jews, Christians, and others, living in Islamic lands, for patrons, Muslim and otherwise.

One of the most famous monuments of Islamic art is the Taj Mahal, a royal mausoleum, located in Agra, India. Hinduism is majority religion in India; however, because Muslim rulers, most famously the Mughals , dominated large areas of modern-day India for centuries, India has a vast range of Islamic art and architecture. The Great Mosque of Xi’an , China, is one of the oldest and best preserved mosques in China. First constructed in 742 C.E., the mosque’s current form dates to the fifteenth century C.E. and follows the plan and architecture of a contemporary Buddhist temple. In fact, much Islamic art and architecture was—and still is—created through a synthesis of local traditions and more global ideas.

View of the Great Mosque of Xi’an, Shaanxi, China (photo: Alex Berger , CC BY-NC 2.0)

Islamic art is not a monolithic style or movement; it spans 1,300 years of history and has incredible geographic diversity—Islamic empires and dynasties controlled territory from Spain to western China at various points in history. However, few if any of these various countries or Muslim empires would have referred to their art as Islamic. An artisan in Damascus thought of his work as Syrian or Damascene—not as Islamic.

As a result of thinking about the problems of calling such art Islamic, certain scholars and major museums, like the Metropolitan Museum of Art, have decided to omit the term Islamic when they renamed their new galleries of Islamic art. Instead, they are called “Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia,” thereby stressing the regional styles and individual cultures. Thus, when using the phrase, Islamic art, one should know that it is a useful, but artificial, concept.

In some ways, Islamic art is a bit like referring to the Italian Renaissance. During the Renaissance, there was no unified Italy; it was a land of independent city-states. No one would have thought of one’s self as an Italian, or of the art they produced as Italian, rather one conceived of one’s self as a Roman, a Florentine, or a Venetian. Each city developed a highly local, remarkable style. At the same time, there are certain underlying themes or similarities that unify the art and architecture of these cities and allow scholars to speak of an Italian Renaissance.

Qur’an fragment , in Arabic, before 911, vellum, MS M. 712, fols 19v-20r, 23 x 32 cm, possibly Iraq ( The Morgan Library and Museum , New York)

Similarly, there are themes and types of objects that link the arts of the Islamic World together. Calligraphy is a very important art form in the Islamic world. The Qur’an, written in elegant scripts, represents Allah’s (or God’s) divine word, which Muhammad received directly from Allah during his visions. Quranic verses, executed in calligraphy, are found on many different forms of art and architecture. Likewise, poetry can be found on everything from ceramic bowls to the walls of houses. Calligraphy’s omnipresence underscores the value that is placed on language, specifically Arabic.

Geometric and vegetative motifs are very popular throughout the lands where Islam was once or still is a major religion and cultural force, appearing in the private palaces of buildings such as the Alhambra (in Spain) as well as in the detailed metal work of Safavid Iran . Likewise, certain building types appear throughout the Muslim world: mosques with their minarets , mausolea, gardens, and madrasas (religious schools) are all common. However, their forms vary greatly.

Bathing scene on west wall of west aisle of audience hall, Qasr ‘Amra, c. 730, Jordan (photo: Sean Leatherbury/Manar al-Athar)

One of the most common misconceptions about the art of the Islamic world is that it is aniconic; that is, the art does not contain representations of humans or animals. Religious art and architecture, almost from the earliest examples, such as the Dome of the Rock, the Aqsa Mosque (both in Jerusalem), and the Great Mosque of Damascus , built under the Umayyad rulers, did not include human figures and animals. However, the private residences of sovereigns, such as Qasr ‘Amra or Khirbat Mafjar, were filled with vast figurative paintings, mosaics, and sculpture.

The study of the arts of the Islamic world has also lagged behind other fields in art history. There are several reasons for this. First, many scholars are not familiar with Arabic or Farsi (the dominant language in Iran). Calligraphy, particularly Arabic calligraphy, as noted above, is a major art form and appears on almost all types of architecture and arts. Second, the art forms and objects prized in the Islamic world do not correspond to those traditionally valued by art historians and collectors in the Western world. The so-called decorative arts—carpets, ceramics, metalwork, and books—are types of art that Western scholars have traditionally valued less than painting and sculpture. However, the last fifty years has seen a flourishing of scholarship on the arts of the Islamic world.

Medallion Carpet, The Ardabil Carpet , unknown artist (Maqsud Kashani is named on the carpet’s inscription), Persian: Safavid Dynasty, silk warps and wefts with wool pile (25 million knots, 340 per sq. inch), 1539–40 C.E., Tabriz, Kashan, Isfahan or Kirman, Iran (Virginia & Albert Museum, London)

Here, we have decided to use the phrase “arts of the Islamic world” to emphasize the art that was created in a world where Islam was a dominant religion or a major cultural force, but was not necessarily religious art. Often when the word “Islamic” is used today, it is used to describe something religious; thus using the phrase, Islamic art, potentially implies, mistakenly, that all of this art is religious in nature. The phrase, “arts of the Islamic world,” also acknowledges that not all of the work produced in the “Islamic world” was for Muslims or was created by Muslims.

Note on organization from the contributing editor

We have organized the material in this section into three chronological periods: early , medieval and late . When starting to learn about a new area of art, chronological organization often enables students to grasp the material and its fundamentals before going on to more complex analysis, like comparing building types or styles. Within each of these chronological groups, we have focused on creating geographic groups or groupings to organize the material further. The Islamic world was only unified very briefly in its history under the Umayyads (661–750 C.E.) and the early Abbasids (750–932 C.E.). Soon various dynasties or rulers simultaneously commanded sections of territory, many of which had no cultural commonalities, aside from their religion.

We are also planning to upload a series of introductory essays on major types of art and architecture from the Islamic world, including carpets and mosques, in addition to essays and videos about specific works of art and architecture. These are forthcoming.

Arabic, Persian and Turkish are complex languages whose transcription from their respective scripts to English has changed considerably over time. For the sake of ease, we have used the most common forms today, omitting the vocalizations. While we have aimed for consistency, we have also tried to use the simplest forms for those who are new to the arts of the Islamic world.

Bibliography

Bloom, Jonathan, and Sheila Blair, Islamic Arts (London: Phaidon Press, 1997).

The Nature of Islamic Art on The Metropolitan Museum of Art’s Heilbrunn Timeline of Art History

Archnet , a resource focused on architecture, urbanism, environmental and landscape design, visual culture, and conservation issues related to the Muslim world.

Islamic Art reading list from the Victoria and Albert Museum

Images for teaching and learning

Smarthistory images for teaching and learning:.

[flickr_tags user_id=”82032880@N00″ tags=”IslamicWorld,”]

More Smarthistory images…

Important fundamentals

Read a Reframing Art History chapter on Framing Islamic Art

Cite this page

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Home — Essay Samples — Arts & Culture — World Arts — Islamic Art

Essays on Islamic Art

Exploring the two central themes found in the koran: a comprehensive analysis, analysis of the chosen artists’ contribution to islamic art, made-to-order essay as fast as you need it.

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A Report on Islamic Art: Architecture

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The Spread of Islam: a Complex and Transformative Phenomenon

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